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In the late sixteenth century, a prominent Albanian named Antonio Bruni composed a revealing document about his home country. Historian Sir Noel Malcolm takes this document as a point of departure to explore the lives of the entire Bruni family, whose members included an archbishop of the Balkans, the captain of the papal flagship at the Battle of Lepanto--at which the Ottomans were turned back in the Eastern Mediterranean--in 1571, and a highly placed interpreter in Istanbul, formerly Constantinople, the capital of the Eastern Roman Empire that fell to the Turks in 1453. The taking of Constantinople had profoundly altered the map of the Mediterranean. By the time of Bruni's document, Albania, largely a Venetian province from 1405 onward, had been absorbed into the Ottoman Empire. Even under the Ottomans, however, this was a world marked by the ferment of the Italian Renaissance. In Agents of Empire, Malcolm uses the collective biography of the Brunis to paint a fascinating and intimate picture of Albania at a moment when it represented the frontier between empires, cultures, and religions. The lives of the polylingual, cosmopolitan Brunis shed new light on the interrelations between the Ottoman and Christian worlds, characterized by both conflict and complex interdependence. The result of years of archival detective work, Agents of Empire brings to life a vibrant moment in European and Ottoman history, challenging our assumptions about their supposed differences. Malcolm's book guides us through the exchanges between East and West, Venetians and the Ottomans, and tells a story of worlds colliding with and transforming one another.
This work is an account of the structure of the government of the Ottoman Empire from its foundation to the mid-17th century. Going beyond a simple narrative of Ottoman achievements, Colin Imber uses original sources and research, as well as the rapidly expanding body of modern research on the subject, to show how this complex state worked in practice.
The Byzantine Empire, fragmented and enfeebled by the Fourth Crusade in 1204, never again recovered its former extent, power and influence. Its greatest revival came when the Byzantines in exile reclaimed their capital city of Constantinople in 1261 and this book narrates the history of this restored empire from 1261 to its conquest by the Ottoman Turks in 1453. First published in 1972, the book has been completely revised, amended, and in part rewritten, with its source references and bibliography updated to take account of scholarly research on this last period of Byzantine history carried out over the past twenty years.
Lucrezia Marinella (1571-1653) is, by all accounts, a phenomenon in early modernity: a woman who wrote and published in many genres, whose fame shone brightly within and outside her native Venice, and whose voice is simultaneously original and reflective of her time and culture. In Enrico; or, Byzantium Conquered, one of the most ambitious and rewarding of her numerous narrative works, Marinella demonstrates her skill as an epic poet. Now available for the first time in English translation, Enrico retells the story of the conquest of Byzantium in the Fourth Crusade (1202-04). Marinella intersperses historical events in her account of the invasion with numerous invented episodes, drawing on the rich imaginative legacy of the chivalric romance. Fast-moving, colorful, and narrated with the zest that characterizes Marinella's other works, this poem is a great example of a woman engaging critically with a quintessentially masculine form and subject matter, writing in a genre in which the work of women poets was typically shunned.
Covering the full history of the Ottoman Empire, from its genesis in post-Mongol Eurasia to its dissolution after the Great War in Europe, this textbook takes a holistic approach, considering the Ottoman worldview - what it was, how it came together, and how it fell apart. Douglas A. Howard stresses the crucial role of the Ottoman sultans and their extended household, discusses the evolution of the empire's fiscal model, and analyzes favorite works of Ottoman literature, emphasizing spirituality, the awareness of space and time, and emotions, migration, violence, disease, and disaster. Following how people spent their time, their attitudes towards authority, how they made their money, and their sense of humor and sense of beauty, this illustrated textbook is an essential resource for graduate and advanced undergraduate, courses on the history of the Ottoman Empire, the Middle East, Islamic history, and the history of Eastern Europe. The book includes over eighty illustrations, maps and textboxes.