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Art Movements: Bauhaus

A research topic guide covering major art movements.

Bauhaus

Research & Reference

Streaming Media

Perspectives

World of Art Series Bauhaus

The way our environment looks, the appearance of everything from housing developments to newspapers, is partly the result of a school of art and design founded in Germany in 1919 and closed down by the Nazis in 1933. This was the Bauhaus, which has left an indelible mark on art education throughout the world. Setting everything firmly against a backdrop of the times, Frank Whitford traces the cultural ideas behind its conception and thoroughly describes its teaching methods. He examines the activities of the teachers--artists as eminent as Klee and Kandinsky--and the daily lives of the students. Everything is described with the aid, wherever possible, of the words of those who were there at the time. 154 illus., 16 in color.

Bauhaus

Founded in Weimar in 1919, the Bauhaus school developed a revolutionary approach that fused fine art with craftsmanship and engineering in everything from architecture to furniture, typography, and even theater. During its fourteen years of existence, Bauhaus managed to change the faces of art, architecture, and industrial design forever.

The Bauhaus Idea and Bauhaus Politics

Forgacs examines the development of the Bauhaus school of architecture and applied design by focusing on the idea of the Bauhaus, rather than on its artefacts. What gave this idea its extraordinary powers of survival? Founded in 1919, with the architect Walter Gropius as its first director, the Bauhaus carried within it the seeds of conflict from the start. The duration of the Bauhaus coincides very nearly with that of the Weimar Republic; the Bauhaus idea - the notion that the artist should be involved in the technological innovations of mechanization and mass production - is a concept that was bound to arouse the most passionate feelings. It is these two strands - personal and political - that Forgacs so cleverly interweaves. The text has been extensively revised since its original publication in Hungarian, and an entirely new chapter has been added on the Bauhaus's Russian analogue, VkhUTEMAS, the Moscow academy of industrial art.