Medieval philosophy took place between roughly fifth century CE to the beginning of the fifteenth century. This period saw robust growth in philosophical ideas, including the spread of universities. Notable philosophers include Augustine and Boethius.
Peter Adamson presents an engaging and wide-ranging introduction to two great intellectual cultures: Byzantium and the Italian Renaissance. First he tells the story of philosophy in the Eastern Christian world, from the 8th century to the 15th century, then he explores the rebirth of philosophy in Italy in the era of Machiavelli and Galileo.
This provocative volume, one of the most important interpretive works on the philosophical thought of the Renaissance, has long been regarded as a classic in its field. Ernst Cassirer here examines the changes brewing in the early stages of the Renaissance, tracing the interdependence of philosophy, language, art, and science; the newfound recognition of individual consciousness; and the great thinkers of the period--from da Vinci and Galileo to Pico della Mirandola and Giordano Bruno. The Individual and the Cosmos in Renaissance Philosophy discusses the importance of fifteenth-century philosopher Nicholas Cusanus, the concepts of freedom and necessity, and the subject-object problem in Renaissance thought. "This fluent translation of a scholarly and penetrating original leaves little impression of an attempt to show that a 'spirit of the age' or 'spiritual essence of the time' unifies and expresses itself in all aspects of society or culture."--Philosophy
"The Renaissance has long been recognized as a brilliant moment in the development of Western civilization. However, little attention has been devoted to the distinct contributions of philosophy to Renaissance culture. This volume introduces the reader to the philosophy written, read, taught, and debated during the period traditionally credited with the 'revival of learning'." "Beginning with original sources still largely inaccessible to most readers, and drawing on a wide range of secondary studies, the authors examine the relation of Renaissance philosophy to humanism and the universities, the impact of rediscovered ancient sources, the recovery of Plato and the Neoplatonists, and the evolving ascendancy of Aristotle. Renaissance Philosophy also explores the original contributions of major figures including Bruni, Valla, Ficino, Pico della Mirandola, Pomponazzi, Machiavelli, More, Vitoria, Montaigne, Bruno, and Campanella." "In this work the rich insights and inheritance of Renaissance philosophy are made available to the student and the general reader. Renaissance Philosophy not only demonstrates the uses of ancient and medieval philosophy by Renaissance thinkers, but also throws light on the early origins of modern philosophy."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
"A witty, learned, authoritative survey of philosophical thought." --The New York Times Book Review The first authoritative and accessible single-volume history of philosophy to cover both Western and Eastern traditions, from one of the world's most eminent thinkers The story of philosophy is an epic tale, spanning civilizations and continents. It explores some of the most creative minds in history. But not since the long-popular classic by Bertrand Russell, A History of Western Philosophy, published in 1945, has there been a comprehensive and entertaining single-volume history of this great, intellectual, world-shaping journey. With characteristic clarity and elegance, A. C. Grayling takes the reader from the age of the Buddha, Confucius, and Socrates through Christianity's capture of the European mind, from the Renaissance and Enlightenment on to Mill, Nietzsche, Sartre and, finally, philosophy today. Surveying in tandem the great philosophical traditions of India, China, and the Persian-Arabic world, and astonishing in its range and accessibility, Grayling's The History of Philosophy is destined to be a landmark work.
A major study of the Divine Comedy, this book offers an interesting perspective on Dante's representation of the afterlife. Alison Morgan departs from the conventional critical emphasis on Dante's place in relation to learned traditions by undertaking a thorough examination of the poem in the context of popular beliefs. Her principal sources are thus not the highly literary texts (such as Virgil's Aeneid or Thomas Aquinas's Summa Theologiae) which have become a familiar context for the poem, but rather visions of the Other World found in popular writings, painting and sculpture from the centuries leading up to its composition. The book will be of interest to non-specialists in addition to scholars of Dante, since it offers a clear preliminary account of the Other World tradition, a chronology of its principal representations and summaries of the major texts. Fully illustrated throughout, it integrates with the literary and theological aspects of Dante's heritage the important but often neglected dimension of art history.