Virginia Woolf
Virginia Woolf (1882 - 1941) was an English writer, most known for Mrs. Dalloway, A Room of One's Own, and To the Lighthouse.
- Virginia Woolf: BritannicaVirginia Woolf, original name in full Adeline Virginia Stephen, (born January 25, 1882, London, England—died March 28, 1941, near Rodmell, Sussex), English writer whose novels, through their nonlinear approaches to narrative, exerted a major influence on the genre.
- Virginia Woolf: British LibraryVirginia Woolf (1882–1941) is recognised as one of the most innovative writers of the 20th century. Perhaps best known as the author of Mrs Dalloway (1925) and To the Lighthouse (1927), she was also a prolific writer of essays, diaries, letters and biographies.
Research & Reference
- Virginia Woolf: Credo ReferenceA Credo Reference landing page on Virginia Woolf. This page includes links to reference works, journal articles, and a mind map.
- Virginia Woolf papersThe Virginia Woolf Papers consist of 2.25 linear feet of material, dating from 1902 to 1956. Types of materials include correspondence, reading notes, drafts of essays and short stories, corrected page proofs of novels and collected essays, printed ephemera, and photographs. The bulk of the collection was assembled by Frances Hooper (1892-1986) and bequeathed to Smith College in 1986.
Streaming Media
- Virginia Woolf: Mrs. DallowayVirginia Woolf pushed the boundaries of the novel as a tool for psychological inquiry through her experimentation with subjective and relativistic perceptions of time and events. This program intercuts scenes from a compelling dramatization of Mrs. Dalloway with a portrayal of Virginia Woolf—played by actress Eileen Atkins—who, based on entries from her diary, explicates the story. Literary critic Hermione Lee addresses topics in the novel such as the significance of shared external events and the theme of emotional bankruptcy, both of which propel this drama of the mind.
- Virginia Woolf: Mrs. DallowayVirginia Woolf pushed the boundaries of the novel as a tool for psychological inquiry through her experimentation with subjective and relativistic perceptions of time and events. This program intercuts scenes from a compelling dramatization of Mrs. Dalloway with a portrayal of Virginia Woolf—played by actress Eileen Atkins—who, based on entries from her diary, explicates the story. Literary critic Hermione Lee addresses topics in the novel such as the significance of shared external events and the theme of emotional bankruptcy, both of which propel this drama of the mind.
Author's Works & Perspectives
Mrs. Dalloway
Heralded as Virginia Woolf's greatest novel, this is a vivid portrait of a single day in a woman's life. When we meet her, Mrs. Clarissa Dalloway is preoccupied with the last-minute details of party preparation while in her mind she is something much more than a perfect society hostess. As she readies her house, she is flooded with remembrances of faraway times. And, met with the realities of the present, Clarissa reexamines the choices that brought her there, hesitantly looking ahead to the unfamiliar work of growing old. "Mrs. Dalloway was the first novel to split the atom. If the novel before Mrs. Dalloway aspired to immensities of scope and scale, to heroic journeys across vast landscapes, with Mrs. Dalloway Virginia Woolf insisted that it could also locate the enormous within the everyday; that a life of errands and party-giving was every bit as viable a subject as any life lived anywhere; and that should any human act in any novel seem unimportant, it has merely been inadequately observed. The novel as an art form has not been the same since. "Mrs. Dalloway also contains some of the most beautiful, complex, incisive and idiosyncratic sentences ever written in English, and that alone would be reason enough to read it. It is one of the most moving, revolutionary artworks of the twentieth century." --Michael Cunningham, author of The Hours
Flush
This story of Elizabeth Barrett Browning’s cocker spaniel, Flush, enchants right from the opening pages. Although Flush has adventures of his own with bullying dogs, horrid maids, and robbers, he also provides the reader with a glimpse into Browning’s life. Introduction by Trekkie Ritchie.
A Room of One's Own
Why is it that men, and not women, have always had power, wealth, and fame? Woolf cites the two keys to freedom: fixed income and one’s own room. Foreword by Mary Gordon.
Night and Day
NIGHT AND DAY is a romance about the nature of romantic of love itself; about the struggle to find and establish identity; about the struggle between the sexes and intellectual freedom as it applies to marriage.
Virginia Woolf's Modernist Path
Choice Outstanding Academic Title In this second volume of her acclaimed study of Virginia Woolf 's diaries, Barbara Lounsberry traces the English writer's life through the thirteen diaries she kept from 1918 to 1929--what is often considered Woolf?s modernist "golden age." During these interwar years, Woolf penned many of her most famous works, including Mrs. Dalloway, To the Lighthouse, Orlando, and A Room of One's Own. Lounsberry shows how Woolf's writing at this time was influenced by other diarists--Anton Chekhov, Katherine Mansfield, Jonathan Swift, and Stendhal among them--and how she continued to use her diaries as a way to experiment with form and as a practice ground for her evolving modernist style. Through close readings of Woolf 's journaling style and an examination of the diaries she read, Lounsberry tracks Woolf 's development as a writer and unearths new connections between her professional writing, personal writing, and the diaries she was reading at the time. Virginia Woolf's Modernist Path offers a new approach to Woolf 's biography: her life as she marked it in her diary from ages 36 to 46.
The Years
The principal theme of this ambitious book is Time, threading together three generations of an upper-class English family, the Pargiters. The characters come and go, meet, talk, think, dream, grow older, in a continuous ritual of life that eludes meaning.
"My Madness Saved Me": The Madness and Marriage of Virginia Woolf
The vast literature on Virginia Woolf's life, work, and marriage falls into two groups. A large majority is certain that she was mentally ill, and a small minority is equally certain that she was not mentally ill but was misdiagnosed by psychiatrists. In this daring exploration of Woolf's life and work, Thomas Szasz--famed for his radical critique of psychiatric concepts, coercions, and excuses--examines the evidence and rejects both views. Instead, he looks at how Virginia Woolf, as well as her husband Leonard, used the concept of madness and the profession of psychiatry to manage and manipulate their own and each other's lives. Do we explain achievement when we attribute it to the fictitious entity we call "genius"? Do we explain failure when we attribute it to the fictitious entity we call "madness"? Or do we deceive ourselves the same way that the person deceives himself when he attributes the easy ignition of hydrogen to its being "flammable"? Szasz interprets Virginia Woolf's life and work as expressions of her character, and her character as the "product" of her free will. He offers this view as a corrective against the prevailing, ostensibly scientific view that attributes both her "madness" and her "genius" to biological-genetic causes. We tend to attribute exceptional achievement to genius, and exceptional failure to madness. Both, says Szasz, are fictitious entities.